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Studies after various hands by Daniel Maclise

Studies after various hands

Daniel Maclise·c. 1838

Historical Context

These studies of hands demonstrate Maclise's commitment to anatomical precision and his thorough preparation for larger compositions through partial studies of the body's most expressive elements. Hand studies were a fundamental element of academic training and professional preparation, and Maclise's extensive drawn and painted studies reflect the rigorous preparation that underlay his seemingly effortless technical command in finished compositions. Hands in painting are particularly revealing of an artist's technical mastery: they must be convincingly articulated, correctly positioned relative to the body, and expressive of the figure's psychological state. These studies preserve evidence of the preparatory discipline that sustained Maclise's prolific exhibition career.

Technical Analysis

The individual hand studies reveal Maclise's exceptional draftsmanship, each hand rendered with precise anatomical understanding and attention to the expressive potential of gesture and pose.

See It In Person

Princeton Art Museum

Princeton, United States

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Quick Facts

Medium
Oil paint
Dimensions
63.5 × 76 cm
Era
Romanticism
Style
Romanticism
Genre
Genre
Location
Princeton Art Museum, Princeton
View on museum website →

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Daniel Maclise·1849-1850

Scene from Ben Jonson's <font -i>Every Man in His Humour</font -i> (Act II, Scene I) by Daniel Maclise

Scene from Ben Jonson's <font -i>Every Man in His Humour</font -i> (Act II, Scene I)

Daniel Maclise·1847-1848

John Forster by Daniel Maclise

John Forster

Daniel Maclise·1830

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