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The Duke of Orléans asking for hospitality from the monks of the Mont Saint-Gothard hospice on August 27, 1793 by Horace Vernet

The Duke of Orléans asking for hospitality from the monks of the Mont Saint-Gothard hospice on August 27, 1793

Horace Vernet·1818

Historical Context

Horace Vernet painted this history scene in 1818, depicting the young Duke of Orléans — the future King Louis-Philippe — seeking shelter at the hospice of the Grand Saint-Bernard during his flight from Revolutionary France in August 1793. The subject carries political weight: in 1818 the Bourbon Restoration was consolidating power while the Orléanist branch retained its own dynastic ambitions. Vernet, associated with liberal politics, creates a narrative of Orléanist suffering and humility that implicitly argues for the family's virtue. The painting hung at Chantilly's Condé Museum, closely associated with Orléanist heritage.

Technical Analysis

Vernet employs a clear, narrative-focused composition with figures arranged for maximum legibility. The Alpine setting provides a dramatic backdrop of severity and religious austerity that frames the duke's humility. Paint handling is confident and direct, favoring clarity of scene over painterly display.

See It In Person

Condé Museum

Chantilly, France

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
32 × 23 cm
Era
Neoclassicism
Style
French Neoclassicism
Genre
Religious
Location
Condé Museum, Chantilly
View on museum website →

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Portrait of a "Mamelouk" by Horace Vernet

Portrait of a "Mamelouk"

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Arab Warrior by Horace Vernet

Arab Warrior

Horace Vernet·ca. 1817–22

Bertel Thorvaldsen (1768–1844) with the Bust of Horace Vernet by Horace Vernet

Bertel Thorvaldsen (1768–1844) with the Bust of Horace Vernet

Horace Vernet·1833 or later

Self-Portrait in Rome by Horace Vernet

Self-Portrait in Rome

Horace Vernet·1832

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