Mary with Child and founder

This painting from 1493 by Giovanni Battista Cima da Conegliano reflects the artistic culture of the Renaissance period and the Italian artistic tradition. Giovanni Battista Cima da Conegliano brings characteristic skill to the subject, creating a work that demonstrates the range and ambition of fifteenth-century Italian painting. Cima da Conegliano, active in Venice and his native Conegliano from the 1480s until around 1517, was the most accomplished Venetian follower of Giovanni Bellini in the generation before Giorgione and Titian transformed the tradition. His cool precise light, his characteristic Veneto landscape backgrounds, and his composed figure types gave his altarpieces and devotional panels a quality of contemplative clarity that served the devotional needs of the churches and private patrons throughout northeastern Italy who commissioned him. This work demonstrates the consistent quality that made him one of the most trusted religious painters in the Venetian world.

Executed with skilled technique and attention to careful observation, the work reveals Giovanni Battista Cima da Conegliano's characteristic approach to composition and surface. The treatment of light and the careful modulation of color create visual richness within a unified pictorial scheme.