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The astronomy by Justus van Gent

The astronomy

Justus van Gent·1474

Historical Context

Astronomy — depicted as a woman with a celestial sphere or armillary instrument — belongs to the Liberal Arts programme of the Urbino studiolo that complemented the Famous Men cycle. Federico da Montefeltro's studiolo was an extraordinarily ambitious decorative programme: the intarsia woodwork on the lower walls gave way to painted figures above, creating a total environment embodying humanist learning. Justus van Gent's Astronomy figure was paired with Ptolemy, the Famous Man who had defined astronomical knowledge for the ancient world and whose portrait Justus produced for the same commission.

Technical Analysis

The Astronomy allegory holds an armillary sphere rendered with the same technical precision as the one given to Ptolemy in the companion panel, establishing a visual rhyme between the personification and the historical master of the discipline. The figure's robes are handled with Justus's characteristic Flemish layering, producing the deep colour saturation distinct from Italian tempera work.

See It In Person

Gemäldegalerie Berlin

Berlin, Germany

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Quick Facts

Medium
Tempera on panel
Era
Early Renaissance
Style
Early Netherlandish
Genre
Allegory
Location
Gemäldegalerie Berlin, Berlin
View on museum website →

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Adoration of the Magi by Justus van Gent

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Federico da Montefeltro, Duke of Urbino (1422-1482), his son Guidobaldo (1472-1508), and others listening to a discourse by Justus van Gent

Federico da Montefeltro, Duke of Urbino (1422-1482), his son Guidobaldo (1472-1508), and others listening to a discourse

Justus van Gent·1480

Sleeping Apostles by Justus van Gent

Sleeping Apostles

Justus van Gent·1500

Pala del corpus domini by Justus van Gent

Pala del corpus domini

Justus van Gent·1467

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