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Christus am Ölberg und die Gefangennahme Christi by Master of Messkirch

Christus am Ölberg und die Gefangennahme Christi

Master of Messkirch·1525

Historical Context

Master of Messkirch created this work around 1525 during the High Renaissance period. The painting reflects the artistic traditions and cultural preoccupations of its time and place of origin. The painting is in the Gemäldegalerie Berlin. The tempera-on-panel medium required a carefully gessoed surface and was painted in fine, precise layers, yielding a luminous, jewel-like surface of great durability.

Technical Analysis

The devotional composition is rendered with attention to the expressive and contemplative qualities that served the painting's function as an aid to prayer and meditation.

See It In Person

Gemäldegalerie Berlin

Berlin, Germany

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
64 × 51.5 cm
Era
High Renaissance
Style
Northern Renaissance
Genre
Religious
Location
Gemäldegalerie Berlin, Berlin
View on museum website →

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The Holy Trinity with Angels, Saints, and donor family Bubenhofen by Master of Messkirch

The Holy Trinity with Angels, Saints, and donor family Bubenhofen

Master of Messkirch·1523

Visitation by Master of Messkirch

Visitation

Master of Messkirch·1520

Painting of Eitelfriedrich III von Zollern (1520) by Master of Messkirch

Painting of Eitelfriedrich III von Zollern (1520)

Master of Messkirch·1520

Painting of Johanna Corsselar van Witthem by Master of Messkirch

Painting of Johanna Corsselar van Witthem

Master of Messkirch·1520

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Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

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