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Venus and Cupid
François Boucher·1742
Historical Context
Venus and Cupid from 1742 at the Gemaldegalerie Berlin shows the goddess with her son in a composition of Rococo intimacy. Boucher's Venus paintings define the feminine ideal of the French 18th century. Boucher's mythological paintings define the Rococo aesthetic in French art: soft luminous flesh, cascading draperies in rose and blue, and theatrical artificial landscape. They were produced largely for Madame de Pompadour, Louis XV's mistress and Boucher's greatest patron, who regarded him as...
Technical Analysis
The intimate composition presents mother and son with sensuous warmth. Boucher's handling of flesh tones creates a quintessentially Rococo image.
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