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Christ and the Woman Taken in Adultery by Pieter Brueghel the Elder

Christ and the Woman Taken in Adultery

Pieter Brueghel the Elder·1565

Historical Context

Christ and the Woman Taken in Adultery, painted by Bruegel in 1565, depicts the Gospel episode where Jesus challenges the accusers of an adulterous woman with the words "Let he who is without sin cast the first stone." The painting is executed in grisaille (gray monochrome), an unusual technique for Bruegel that may reflect the influence of Netherlandish manuscript illumination. The subject of mercy versus rigid law had obvious resonance during the period of religious persecution in the Netherlands.

Technical Analysis

The grisaille technique creates a sculptural, relief-like effect that focuses attention on the figures' gestures and expressions without the distraction of color. Bruegel's precise rendering of individual faces within the crowd demonstrates his extraordinary ability to convey character.

See It In Person

Courtauld Institute of Art

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
24.1 × 34.4 cm
Era
Mannerism
Style
Northern Mannerism
Genre
Religious
Location
Courtauld Institute of Art, London
View on museum website →

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The Wedding Dance by Pieter Brueghel the Elder

The Wedding Dance

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The Peasant and the Nest Robber by Pieter Brueghel the Elder

The Peasant and the Nest Robber

Pieter Brueghel the Elder·1568

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Portrait of Don Juan of Austria by Alonso Sánchez Coello

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Portrait of a Seated Woman by Antonis Mor

Portrait of a Seated Woman

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