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Saint Jerome by Francisco de Zurbarán

Saint Jerome

Francisco de Zurbarán·1640

Historical Context

This Saint Jerome of around 1640, now in the San Diego Museum of Art, depicts the Church Father as a scholar-hermit with his traditional attributes of a skull and crucifix. Jerome was the most frequently depicted saint in Zurbarán's oeuvre after Francis of Assisi. Zurbarán's austere, powerfully meditative style—white-robed monks in intense chiaroscuro, saints presented against dark backgrounds with sculptural solidity—made him the ideal painter for the Counter-Reformation religious orders of Extremadura and Seville.

Technical Analysis

The aged scholar's bare torso is modeled with powerful naturalism, the weathered skin and visible bones conveying years of ascetic depentance. The contrast between the living flesh and the death's-head creates a memento mori meditation.

See It In Person

San Diego Museum of Art

San Diego, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
185.4 × 104.1 cm
Era
Baroque
Style
Spanish Baroque
Genre
Religious
Location
San Diego Museum of Art, San Diego
View on museum website →

More by Francisco de Zurbarán

The Crucifixion by Francisco de Zurbarán

The Crucifixion

Francisco de Zurbarán·1627

Saint Romanus of Antioch and Saint Barulas by Francisco de Zurbarán

Saint Romanus of Antioch and Saint Barulas

Francisco de Zurbarán·1638

The Young Virgin by Francisco de Zurbarán

The Young Virgin

Francisco de Zurbarán·ca. 1632–33

Saint Benedict by Francisco de Zurbarán

Saint Benedict

Francisco de Zurbarán·ca. 1640–45

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Allegory of Venus and Cupid by Titian

Allegory of Venus and Cupid

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Portrait of a Noblewoman Dressed in Mourning by Jacopo da Empoli

Portrait of a Noblewoman Dressed in Mourning

Jacopo da Empoli·c. 1600

The Vision of Saint Francis by Lodovico Carracci

The Vision of Saint Francis

Lodovico Carracci·c. 1602

Jupiter Rebuked by Venus by Abraham Janssens

Jupiter Rebuked by Venus

Abraham Janssens·c. 1612