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Visitation of Carmignano by Pontormo

Visitation of Carmignano

Pontormo·1528

Historical Context

The Visitation of Carmignano, painted around 1528-29, is one of Pontormo's greatest works, depicting the meeting between the Virgin Mary and her cousin Elizabeth. Located in the parish church of Carmignano near Florence, this painting transforms a conventional religious subject into a profoundly moving image of human connection. The two monumental women embrace with an emotional intensity unparalleled in Italian painting. Mannerism (c.1520-1600) emerged as artists responded to—and deliberately subverted—High Renaissance ideals.

Technical Analysis

The four women form a tightly interlocking group of extraordinary formal complexity, with the embracing central pair mirrored by two attending figures. Pontormo's luminous, high-keyed palette—dominated by salmon pinks, lavender blues, and acid greens—creates an atmosphere of visionary ecstasy.

See It In Person

Rectory of Saints Michael and Francis

,

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Quick Facts

Medium
Oil paint
Dimensions
202 × 156 cm
Era
Mannerism
Style
Mannerism
Genre
Religious
Location
Rectory of Saints Michael and Francis,
View on museum website →

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Pharaoh with his Butler and Baker by Pontormo

Pharaoh with his Butler and Baker

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Alonso Sánchez Coello·1559–60

Portrait of a Seated Woman by Antonis Mor

Portrait of a Seated Woman

Antonis Mor·c. 1565