ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Birds (Decorative panel made for the pavilion of Russian outskirts at the World Exhibition in Paris 1900 for the Siberian department) by Konstantin Korovin

Birds (Decorative panel made for the pavilion of Russian outskirts at the World Exhibition in Paris 1900 for the Siberian department)

Konstantin Korovin·1899

Historical Context

This decorative panel depicting birds was created in 1899 as part of a major commission for the 1900 Paris World Exhibition (Exposition Universelle), where Russia presented a pavilion celebrating its regional diversity through themed sections. Korovin was the principal artist responsible for the design and decoration of the Russian Outskirts pavilion, which included the Siberian department. This major commission came through his relationship with Savva Mamontov and placed him at the center of Russia's most significant cultural diplomacy project of the era. The decorative panels Korovin produced for the pavilion combined his fine-art painterly skill with the applied arts sensibility he had developed through theatrical design — an integration typical of the Russian Art Nouveau movement. The Russian Museum holds the work, and it represents the intersection of Korovin's dual careers as a pure painter and as a decorator of monumental spaces.

Technical Analysis

A decorative panel intended for architectural installation required different principles than an easel painting: strong silhouette, clear color areas readable from a distance, and integration with surrounding decorative elements. Korovin would have worked larger and with a bolder, more simplified approach than his intimate plein-air canvases, while applying his characteristic colorist sensibility to the decorative purpose.

Look Closer

  • ◆The decorative purpose requires stronger silhouettes and broader color areas than Korovin's intimate plein-air work, reflecting the architectural scale of the commission.
  • ◆The bird subjects were chosen to evoke Siberia's natural richness for an international audience unfamiliar with Russia's eastern territories.
  • ◆The work reflects Korovin's dual career — as fine artist and as theatrical/architectural designer — in its synthesis of painterly and decorative concerns.
  • ◆The 1900 Paris Exposition context made this panel part of Russia's most ambitious cultural self-presentation to the international community.

See It In Person

Russian Museum

,

Visit museum website →

Quick Facts

Medium
canvas
Dimensions
Unknown
Era
Impressionism
Genre
Genre
Location
Russian Museum,
View on museum website →

More by Konstantin Korovin

Au Balcon, les Espagnoles, Leonora et Ampara by Konstantin Korovin

Au Balcon, les Espagnoles, Leonora et Ampara

Konstantin Korovin·1888

Портрет артистки Татьяны Спиридоновны Любатович by Konstantin Korovin

Портрет артистки Татьяны Спиридоновны Любатович

Konstantin Korovin·1880

Fishes, wine, fruit by Konstantin Korovin

Fishes, wine, fruit

Konstantin Korovin·1916

In the boat by Konstantin Korovin

In the boat

Konstantin Korovin·1888

More from the Impressionism Period

Michel Monet with a Pompon by Claude Monet

Michel Monet with a Pompon

Claude Monet·1880

Wind Effect, Row of Poplars by Claude Monet

Wind Effect, Row of Poplars

Claude Monet·1891

Rouen Cathedral by Claude Monet

Rouen Cathedral

Claude Monet·1893

Carrières-Saint-Denis by Claude Monet

Carrières-Saint-Denis

Claude Monet·1872