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Macbeth, Shakespeare: the three weird sisters by Henry Fuseli

Macbeth, Shakespeare: the three weird sisters

Henry Fuseli·c. 1783

Historical Context

Macbeth’s three weird sisters was among Fuseli’s most powerful Shakespearean subjects, depicting the witches whose prophecy launches the tragedy of ambition and murder. Fuseli’s treatment of the supernatural in Shakespeare influenced generations of artists and established the visual vocabulary for depicting the uncanny in Romantic art. Characteristic of the artist's mature approach, the work displays Michelangelesque muscular figures in extremis, supernatural and nightmare subjects, violent foreshortening, dark Gothic atmosphere, theatrical excess.

Technical Analysis

The three figures emerge from darkness with Fuseli’s characteristic combination of anatomical exaggeration and psychological intensity. Bold chiaroscuro creates a supernatural atmosphere that transcends theatrical illustration.

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Quick Facts

Medium
Oil on canvas
Era
Romanticism
Style
British Romanticism
Genre
Genre
Location
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Milton Dictating to His Daughter by Henry Fuseli

Milton Dictating to His Daughter

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Two Heads of Damned Souls from Dante's "Inferno" (recto and verso) by Henry Fuseli

Two Heads of Damned Souls from Dante's "Inferno" (recto and verso)

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Sketch for "Oath on the Rütli" (recto), Female Figure (verso) by Henry Fuseli

Sketch for "Oath on the Rütli" (recto), Female Figure (verso)

Henry Fuseli·1779–81 (recto); 1785–90 (verso)

The Night-Hag Visiting Lapland Witches by Henry Fuseli

The Night-Hag Visiting Lapland Witches

Henry Fuseli·1796

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Adrian Ludwig (Ludwig) Richter·1832

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Eugène Delacroix·c. 1840–60

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Albert Schindler·1836