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Susanna and the two old man by Arnold Böcklin

Susanna and the two old man

Arnold Böcklin·1888

Historical Context

Arnold Böcklin's treatment of Susanna and the Elders — the apocryphal Book of Daniel story in which the virtuous Susanna is spied upon while bathing by two lecherous elders — belongs to his engagement with mythological and religious narrative subjects throughout his career. The subject had attracted artists from Tintoretto and Rembrandt onward because it combined the nude with moral drama: male predation, female virtue, and the abuse of judicial power. Böcklin, known for his symbolist mythological paintings including 'Island of the Dead,' brought a characteristically Germanic intensity and psychological weight to classical themes.

Technical Analysis

Böcklin's handling of the female nude is deliberate and classicizing rather than sensual. The two elderly figures are psychologically precise — leering, conspiratorial — while Susanna's posture conveys alarm and the beginning of resistance. The palette and light model the figures in the tradition of Italian Renaissance figure painting.

See It In Person

Niedersächsisches Landesmuseum für Kunst und Kulturgeschichte

Hanover, Germany

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Romanticism
Style
Romanticism
Genre
Religious
Location
Niedersächsisches Landesmuseum für Kunst und Kulturgeschichte, Hanover
View on museum website →

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Self-Portrait with Death Playing the Fiddle by Arnold Böcklin

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Weeping at the Cross by Arnold Böcklin

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Battle of the Centaurs by Arnold Böcklin

Battle of the Centaurs

Arnold Böcklin·1873

Villa by the Sea III by Arnold Böcklin

Villa by the Sea III

Arnold Böcklin·1872

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