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David with the Head of Goliath by Paolo Veronese

David with the Head of Goliath

Paolo Veronese·1580

Historical Context

David with the Head of Goliath, attributed to Veronese and once destined for Hitler's planned Fuhrermuseum in Linz, carries a complex provenance marked by wartime looting and post-war restitution. The painting's troubled history reflects the cultural devastation of the Second World War. The complex provenance of this painting, marked by wartime displacement, reminds us of the radical disruption to European cultural heritage wrought by the looting programs of the Second World War.

Technical Analysis

The youthful David is rendered in Veronese's characteristic cool, luminous palette, with silvery flesh tones and elegant drapery. The severed head at his feet is treated with less graphic detail than in more naturalistic treatments of the subject.

Look Closer

  • ◆Notice how Veronese stages this scene of "David with the Head of Goliath" with the theatrical grandeur and luminous color that defined Venetian Renaissance painting.

See It In Person

Führermuseum

Linz, Austria

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
130 × 98 cm
Era
Mannerism
Style
Mannerism
Genre
Portrait
Location
Führermuseum, Linz
View on museum website →

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Saint Jerome in the Wilderness by Paolo Veronese

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Portrait of Agostino Barbarigo by Paolo Veronese

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Paolo Veronese·after c. 1571

The Annunciation by Paolo Veronese

The Annunciation

Paolo Veronese·c. 1580

Ezekiel by Paolo Veronese

Ezekiel

Paolo Veronese·c. 1558

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