ecstasy of two monks; Allegorie des Glaubens und der Liebe

This painting of ecstatic monks, described as an Allegory of Faith and Love, passed through the Munich Central Collecting Point — the facility where Allied forces processed art displaced during World War II. Dating from around 1737, it belongs to Guardi's earliest period when he was working as a figure painter in his brother Giovanni Antonio's workshop. The religious subject reflects the workshop's regular commissions from Venetian churches and monasteries. Francesco's contribution to works from this period is debated by scholars, but his hand is sometimes identifiable through a characteristically looser, more atmospheric touch compared to Giovanni Antonio's more precise manner.

The painting showcases Francesco Guardi's shimmering surfaces, with spontaneous handling lending the work its distinctive character. The palette and brushwork are calibrated to serve the subject matter, demonstrating the technical command expected of a work from this period.