ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContactPrivacy Policy

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Elizaveta Alexeevna Krasilshikova by Valentin Serov

Elizaveta Alexeevna Krasilshikova

Valentin Serov·1906

Historical Context

Elizaveta Alexeevna Krasilshikova (1906), executed in pastel and held at the Kiev National Picture Gallery, depicts a member of the prominent Krasilshikov family — textile manufacturers from the Kostroma region who were among the major industrial dynasties of late Tsarist Russia. The Krasilshikovs owned significant linen manufacturing operations and were typical of the nouveaux riches merchant class that became important patrons of Russian art in the late nineteenth and early twentieth centuries. Serov's use of pastel for this commission is notable: while he worked primarily in oil and often in pencil, pastel allowed a softness of texture and a particular quality of light well suited to female portraiture. His pastel technique was influenced by both French Impressionist practice (especially the pastels of Degas) and the Russian tradition of large-scale pastel portraiture. The Kiev National Picture Gallery, the principal fine art museum in Ukraine, holds a significant collection of Russian and Ukrainian art that was assembled and expanded through the Soviet period.

Technical Analysis

Pastel on paper with the distinctive chalky, matte surface of the medium. Serov's pastel technique likely employs layered strokes in the modeling of the face, with looser, more directional marks in the hair and dress. The medium's inherent softness is appropriate to the gentle indoor light of a domestic portrait. Color relationships in pastel differ from oil — the white of the paper support can be exploited as a light source.

Look Closer

  • ◆Pastel's chalky, non-reflective surface creates a light-quality quite different from oil — observe how Serov uses the medium's inherent softness in the modeling of the face.
  • ◆The texture of the paper support may be partially visible through the pastel strokes, contributing to the surface quality in a way impossible in oil painting.
  • ◆The dress and hair are likely handled with looser, more directional marks than the face, creating a hierarchy of finish from descriptive detail to atmospheric suggestion.
  • ◆Degas's influence on Serov's pastel technique is a likely presence — both artists used the medium with sophisticated color layering rather than simple blending.

See It In Person

Kiev National Picture Gallery

,

Visit museum website →

Quick Facts

Medium
pastel
Dimensions
Unknown
Era
Impressionism
Genre
Genre
Location
Kiev National Picture Gallery,
View on museum website →

More by Valentin Serov

Portrait of Count Feliks Feliksovich Sumarokov-Yelstov later Prince Yusupov by Valentin Serov

Portrait of Count Feliks Feliksovich Sumarokov-Yelstov later Prince Yusupov

Valentin Serov·1903

Bathing of a Horse by Valentin Serov

Bathing of a Horse

Valentin Serov·1905

Vladimir Girshman by Valentin Serov

Vladimir Girshman

Valentin Serov·1911

Francesco Tamagno by Valentin Serov

Francesco Tamagno

Valentin Serov·1891

More from the Impressionism Period

Michel Monet with a Pompon by Claude Monet

Michel Monet with a Pompon

Claude Monet·1880

Wind Effect, Row of Poplars by Claude Monet

Wind Effect, Row of Poplars

Claude Monet·1891

Rouen Cathedral by Claude Monet

Rouen Cathedral

Claude Monet·1893

Carrières-Saint-Denis by Claude Monet

Carrières-Saint-Denis

Claude Monet·1872