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Août, verger à Pont Aven by Émile Bernard

Août, verger à Pont Aven

Émile Bernard·1886

Historical Context

Émile Bernard's 'Août, verger à Pont Aven' (August, Orchard at Pont-Aven, 1886) is among his Breton subjects from his early Pont-Aven period — the orchard in summer bearing the fruit that would be harvested as the season turned. Bernard arrived at Pont-Aven before Gauguin and played a more significant role in the development of Cloisonnism than has sometimes been acknowledged — his approach of bold outlines and flat color areas influencing Gauguin as much as Gauguin influenced him. This early orchard subject shows his developing formal ambitions applied to a straightforward Breton landscape subject.

Technical Analysis

Bernard renders the orchard with the formal clarity he was developing — the simplified forms of trees and fruit organized through his emerging Cloisonnist vocabulary of bold outline and reduced color. The orchard's structure of repeated tree forms within a receding spatial arrangement provided a subject amenable to his formal organization. His treatment shows the transitional quality of his 1886 work: more simplified than conventional plein air painting but not yet fully Cloisonnist.

See It In Person

Musée des Beaux-Arts de Quimper

Quimper,

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Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Landscape
Location
Musée des Beaux-Arts de Quimper, Quimper
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Madeleine in the Bois d'Amour by Émile Bernard

Madeleine in the Bois d'Amour

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More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

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Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

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