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Saint Matthew and the Angel by Guercino

Saint Matthew and the Angel

Guercino·1622

Historical Context

Saint Matthew and the Angel (1622), in the Capitoline Museums in Rome, depicts the evangelist receiving divine inspiration from an angel as he writes his Gospel — the traditional iconography for representations of Matthew at work. Guercino treats this subject with the bold tenebrism and naturalistic immediacy of his early dramatic style, the angel's luminous presence creating striking light contrasts. The painting was produced during Guercino's brief Roman period under Pope Gregory XV (1621-23), when the Bolognese pope's patronage brought the artist to the papal capital. Guercino's early Roman works represent the peak of his dramatic style before he modulated toward the more balanced classicism of his later career.

Technical Analysis

The angel's descent and Matthew's startled reception are rendered with Guercino's youthful energy, the bold contrasts of light and shadow and the dynamic diagonal composition characteristic of his early Roman works.

Look Closer

  • ◆Notice the angel's luminous descent and Matthew's startled reception rendered with bold contrasts of light and shadow.
  • ◆Look at the dynamic diagonal composition characteristic of Guercino's early Roman works at the Capitoline Museums.
  • ◆Observe this 1622 work produced during his brief Roman period under Pope Gregory XV — the peak of his dramatic style.

See It In Person

Capitoline Museums

Rome, Italy

Visit museum website →

Quick Facts

Medium
Oil paint
Era
Baroque
Style
Italian Baroque
Genre
Religious
Location
Capitoline Museums, Rome
View on museum website →

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Stilleben mit Melonen + Papagei by Guercino

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