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Marseille, The pink tower by Paul Signac

Marseille, The pink tower

Paul Signac·1913

Historical Context

Marseille's waterfront architecture, including the distinctive pink tower that anchors this composition, provided Signac with subjects that combined his maritime interests with the specific chromatic qualities of Provençal urban architecture. He returned to Marseille repeatedly across his career, and the Vieux-Port views — with their mix of historic buildings, fishing and commercial boats, and the open Mediterranean beyond — represent some of his most ambitious architectural-maritime compositions. The pink tower subject demonstrates his interest in the chromatic character of specific architectural materials: the warm rose and salmon tones of Provençal stone under full Mediterranean sunlight.

Technical Analysis

The pink tower is rendered in warm rose and salmon tones built from dots that mix the warm local color of the stone with the reflected light of sky and surrounding surfaces. Signac places the tower against a sky of cool blue and violet complementary to the warm architectural color, maximizing the chromatic intensity of both elements.

See It In Person

Museum Folkwang

Essen, Germany

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Quick Facts

Medium
canvas
Era
Post-Impressionism
Style
Pointillism
Genre
Mythology
Location
Museum Folkwang, Essen
View on museum website →

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Concarneau by Paul Signac

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Paul Signac·1932

Mont Saint-Michel. Fog and sun by Paul Signac

Mont Saint-Michel. Fog and sun

Paul Signac·1897

Samois Study No. 8 by Paul Signac

Samois Study No. 8

Paul Signac·1899

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

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Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885