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Erasmus of Rotterdam by Albrecht Dürer

Erasmus of Rotterdam

Albrecht Dürer·1501

Historical Context

Portrait of Erasmus of Rotterdam, Dürer's print or painted version of the humanist scholar, belongs to the tradition of literary portrait-making that both men served — Dürer the greatest printmaker of the Northern Renaissance, Erasmus the greatest writer. Their relationship was conducted through correspondence and mutual admiration rather than personal encounter: Dürer sent prints to Erasmus as gifts, and Erasmus responded with letters of praise. A portrait of Erasmus by Dürer would have been the supreme combination of the two greatest cultural figures of the Northern Renaissance; surviving versions and attributions reflect the intensity of that cultural aspiration even when the attribution is uncertain.

Technical Analysis

The painting showcases Albrecht Dürer's scientific observation, with innovative printmaking lending the work its distinctive character. The palette and brushwork are calibrated to serve the subject matter, demonstrating the technical command expected of a work from this period.

See It In Person

Icones Leidenses

Leiden, Netherlands

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Quick Facts

Medium
Oil paint
Dimensions
71 × 59 cm
Era
High Renaissance
Style
Northern Renaissance
Genre
Portrait
Location
Icones Leidenses, Leiden
View on museum website →

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Albrecht Dürer·probably 1519

Madonna and Child [obverse] by Albrecht Dürer

Madonna and Child [obverse]

Albrecht Dürer·c. 1496/1499

Lot and His Daughters [reverse] by Albrecht Dürer

Lot and His Daughters [reverse]

Albrecht Dürer·c. 1496/1499

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Domenico da Gambassi

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Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

Antonio da Correggio·c. 1515