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Saint Jeronimo by Pieter Coecke van Aelst

Saint Jeronimo

Pieter Coecke van Aelst·1525

Historical Context

Pieter Coecke van Aelst's Saint Jerome brings his characteristic Renaissance compositional clarity to one of the most popular saints in the devotional repertoire. Coecke, who was also a Vitruvian architect and tapestry designer, deployed his architectural skills in creating convincing spatial settings for his devotional figures. Jerome's wilderness retreat, typically shown as a rocky cave with the saint's books and penitential attributes, provided an opportunity to combine figure painting with architectural invention. Coecke's version gives the scholarly saint a dignity appropriate to his status as one of the four Latin Doctors of the Church.

Technical Analysis

The devotional composition is rendered with attention to the expressive and contemplative qualities that served the painting's function as an aid to prayer and meditation.

See It In Person

Bonnefanten Museum

Maastricht, Netherlands

Visit museum website →

Quick Facts

Medium
Oil on panel
Era
High Renaissance
Style
Northern Renaissance
Genre
Religious
Location
Bonnefanten Museum, Maastricht
View on museum website →

More by Pieter Coecke van Aelst

The Adoration of the Magi by Pieter Coecke van Aelst

The Adoration of the Magi

Pieter Coecke van Aelst·1530

Triptych of Nava and Grimon by Pieter Coecke van Aelst

Triptych of Nava and Grimon

Pieter Coecke van Aelst·1546

Triptych with Adoration of the Magi by Pieter Coecke van Aelst

Triptych with Adoration of the Magi

Pieter Coecke van Aelst·1550

The Flight into Egypt by Pieter Coecke van Aelst

The Flight into Egypt

Pieter Coecke van Aelst·1501

More from the High Renaissance Period

Head of Saint John the Baptist on a Charger by Aelbert Bouts

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Domenico da Gambassi

Andrea del Sarto·1525–28

Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

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