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Triptyque by Niccolò di Tommaso

Triptyque

Niccolò di Tommaso·1365

Historical Context

Niccolo di Tommaso was a Florentine painter active in the third quarter of the fourteenth century, a follower of Nardo di Cione who produced altarpieces for churches and religious confraternities. This triptych, now in the Musee du Petit Palais, represents the portable altarpiece format that served the devotional needs of both ecclesiastical and private patrons. The triptych form, with its hinged wings that could be closed for protection and transport, was one of the most characteristic formats of Gothic panel painting.

Technical Analysis

Egg tempera on gold-ground panel in the Florentine triptych format, with a central panel flanked by hinged wings. Niccolo di Tommaso's style combines the solid figure modeling of the Orcagnesque tradition with careful decorative detail in the tooled gold ground, punched haloes, and patterned textiles.

See It In Person

Musée du Petit Palais

Paris, France

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
80 × 58 cm
Era
Gothic
Style
Italian Gothic
Genre
Religious
Location
Musée du Petit Palais, Paris
View on museum website →

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The Virgin and Child; Charity of Saint Nicholas; Crucifixion; Christ and the Samarian Woman by Niccolò di Tommaso

The Virgin and Child; Charity of Saint Nicholas; Crucifixion; Christ and the Samarian Woman

Niccolò di Tommaso·1360

Man of Sorrows by Niccolò di Tommaso

Man of Sorrows

Niccolò di Tommaso·1370

The Last Supper by Niccolò di Tommaso

The Last Supper

Niccolò di Tommaso·1365

Saint Bridget’s Vision of the Nativity by Niccolò di Tommaso

Saint Bridget’s Vision of the Nativity

Niccolò di Tommaso·1375

More from the Gothic Period

Crucifixion by Giotto

Crucifixion

Giotto·1330

Madonna with the Child by Giotto

Madonna with the Child

Giotto·1325

Death of the Virgin by Giotto

Death of the Virgin

Giotto·1310

Madonna and Child of San Giorgio alla Costa by Giotto

Madonna and Child of San Giorgio alla Costa

Giotto·1295