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L'Allée en sous-bois, Amfreville by Édouard Vuillard

L'Allée en sous-bois, Amfreville

Édouard Vuillard·1907

Historical Context

L'Allée en sous-bois, Amfreville depicts a woodland path at Amfreville-sur-Iton in Normandy, where the Hessel family had a property that Vuillard visited repeatedly from around 1906. The sous-bois (undergrowth) motif — the view along a path through dense trees — was a favourite of both Impressionist and Post-Impressionist painters; for Vuillard it offered a natural equivalent of his domestic interiors, with the filtering of light through leafy canopy creating effects analogous to the play of light through patterned curtains.

Technical Analysis

The tree trunks create a vertical rhythm through the composition while the dappled light on the path and undergrowth is built up in Vuillard's mosaic brushwork. Greens range from yellow-green in sunlit areas to blue-green and near-black in shadow. The depth recession along the path is handled with restrained atmospheric perspective.

See It In Person

Musée d'Orsay

Paris, France

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Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Nabis
Genre
Landscape
Location
Musée d'Orsay, Paris
View on museum website →

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Self-portrait, face study by Édouard Vuillard

Self-portrait, face study

Édouard Vuillard·1889

Garden at Vaucresson by Édouard Vuillard

Garden at Vaucresson

Édouard Vuillard·1923

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885