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Jour d'hiver by Henry Moret

Jour d'hiver

Henry Moret·1904

Historical Context

Jour d'hiver (Winter Day) by Henry Moret from 1904, held in the Museum of Fine Arts of Reims, documents the Breton winter landscape — a subject less celebrated than the dramatic coastal scenes of summer but equally demanding as a test of atmospheric observation. Moret spent much of the year in Brittany and would have experienced the grey, often rain-laden Breton winters firsthand. A winter day in Brittany carried its own atmospheric character: low cloud, cool gray light, stripped deciduous trees against dark evergreens, and the occasional pale gleam of winter sun — all subjects that Moret could translate through his Post-Impressionist handling. Winter gave the Breton landscape a stark simplicity very different from its summer counterpart.

Technical Analysis

Moret employs a muted, cool palette for the winter scene, restricting himself to grays, blue-greens, and warm ochres appropriate to the season's light. His brushwork is direct and economical, capturing the spare quality of a winter landscape without detailed description.

See It In Person

Museum of Fine Arts of Reims

Reims, France

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Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Landscape
Location
Museum of Fine Arts of Reims, Reims
View on museum website →

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The Bay of Lampaul by Henry Moret

The Bay of Lampaul

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Cliffs at Ouessant, Brittany by Henry Moret

Cliffs at Ouessant, Brittany

Henry Moret·1901

Beau temps à Pern (Ile d'Ouessant) by Henry Moret

Beau temps à Pern (Ile d'Ouessant)

Henry Moret·1901

L'Ile de Kerellec (Ouessant) by Henry Moret

L'Ile de Kerellec (Ouessant)

Henry Moret·1901

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

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Bathers (Baigneurs)

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Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

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Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

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