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La liseuse by Édouard Vuillard

La liseuse

Édouard Vuillard·1910

Historical Context

La liseuse — a woman reading — was a subject that recurred throughout Vuillard's career, reflecting the Intimist conviction that the interior life of domestic spaces was art's most worthy subject. This 1910 version, now at the Winterthur Museum of Art, shows the figure absorbed in her reading within an environment so richly patterned that she becomes almost part of the wallpaper and textile surroundings. Reading was a privileged activity in Vuillard's world — his mother was a dressmaker who worked surrounded by fabric samples, and his paintings consistently show women occupied in private, concentrated activities.

Technical Analysis

The reader is depicted in Vuillard's characteristic manner — the figure's boundaries blurred into the surrounding interior through tonal and chromatic continuity. Pattern from wallpaper, fabric, and clothing overlaps across the figure, creating the dense, all-over visual texture that distinguishes his Intimist work from more conventionally composed genre painting.

See It In Person

Building of the Winterthur Museum of Art

Winterthur, Switzerland

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Quick Facts

Medium
cardboard
Era
Post-Impressionism
Style
Nabis
Genre
Genre
Location
Building of the Winterthur Museum of Art, Winterthur
View on museum website →

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Arthur Fontaine by Édouard Vuillard

Arthur Fontaine

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Self-portrait, face study by Édouard Vuillard

Self-portrait, face study

Édouard Vuillard·1889

Garden at Vaucresson by Édouard Vuillard

Garden at Vaucresson

Édouard Vuillard·1923

More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

Bathers (Baigneurs)

Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885