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Beweinung Christi mit Stifterin
Historical Context
This work by Master of the Holy Kinship the Younger, created around 1480, reflects the anonymous workshop traditions that produced much of Europe's devotional art during the Early Renaissance period. Such panels served the liturgical and devotional needs of churches and private patrons across the continent. The oil medium allowed for rich tonal transitions and glazed layers of color that created luminous depth impossible with the older tempera technique. Such devotional panels served both liturgical contexts in churches and chapels and private devotional use in the homes of wealthy families who maintained personal altars and oratories.
Technical Analysis
Tempera on panel with the careful craftsmanship characteristic of established late fifteenth-century workshops. The work demonstrates competent handling of standard devotional or narrative subjects.
See It In Person
More by Master of the Holy Kinship the Younger

Seven-Joys-Altar: The nativity
Master of the Holy Kinship the Younger·1480

Gregoriusmis met H. Potentinus van Steinfeld, H. Andreas en de stichter abt Reinier Hundt
Master of the Holy Kinship the Younger·1486
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Der Heilige Wolfgang fordert die strenge Einhaltung der Regula Benedicti
Master of the Holy Kinship the Younger·1490

Sebastian-Altar: Die Marter des heiligen Sebastian
Master of the Holy Kinship the Younger·1493



