
Triptych with the crucifixion of Christ
Master of Delft·1520
Historical Context
The Master of Delft's Triptych with the Crucifixion of Christ is the most significant surviving work by this anonymous Delft painter active around 1510-1520. This large triptych, with its central Crucifixion flanked by wings depicting related Passion or saintly subjects, represents the ambition of Delft's emerging workshop tradition before the city became famous for ceramics. The Master of Delft's style combines Leiden and Flemish influences in a distinctive northern Netherlandish manner, the careful figure drawing and warm color harmonies creating devotional works of genuine quality that document the vitality of regional painting outside the major Flemish centers.
Technical Analysis
The multi-panel format follows the altarpiece tradition, providing an expanded devotional program with individual panels working together to create a unified theological and visual statement.
See It In Person
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The Vision of Saint Bernard
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The Virgin and St John lamenting over the body of Christ
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Triptych with the Virgin and Child and saints (centre panel), the donor with St Martin (inner left wing), the donor’s wife with St Cunera (inner right wing) and the Annunciation (outer wings)
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Christ says goodbye to his mother
Master of Delft·1509



