
Portrait of Dirck Ottens Meerburg (....-....)
Historical Context
Cornelis Engebrechtsz. painted this Portrait of Dirck Ottens Meerburg around 1515, combining the Leiden tradition's precise characterization with the new three-quarter format introduced through Italian-influenced portraiture. As the leading painter of Leiden and teacher of Lucas van Leyden, Cornelis Engebrechtsz. shaped a generation of Dutch painters while maintaining his own highly personal style. His portraits have a directness and specificity that reflect both the Flemish tradition of exact likeness-taking and the humanist interest in individual physiognomy. The Leiden portrait tradition he established—meticulous, psychologically engaged, socially precise—would be carried forward by Lucas van Leyden and eventually contribute to the exceptional portrait culture of the Dutch Golden Age.
Technical Analysis
The portrait shows Engebrechtsz.'s characteristic refined technique with careful attention to costume and physiognomy, rendered in the warm palette typical of his Leiden workshop.
See It In Person
More by Cornelis Engebrechtsz
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The Crucifixion with Donors and Saints Peter and Margaret of Antioch
Cornelis Engebrechtsz·ca. 1525–30
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Christ on the cross with the Virgin, St John the Evangelist, Mary Magdalen, and Sts Cecilia and Barbara (left), and Sts Peter, Francis and Jerome (right)
Cornelis Engebrechtsz.·1507

The Baptism of Christ
Cornelis Engebrechtsz.·1501

Ss Cecilia,Mary Magdalene with donatrix,lamentation flanked by other six Sorrows of Mary, Ss James Great,Martin of Tours an Augustine monk
Cornelis Engebrechtsz.·1509



