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The Moon and the Earth by Paul Gauguin

The Moon and the Earth

Paul Gauguin·1893

Historical Context

The Moon and the Earth (Hina tefatou) was painted in 1893 during Gauguin's brief Paris return and depicts a dialogue between Hina, the Tahitian moon goddess, and Tefatou, spirit of the earth. Gauguin drew the subject from his own manuscript 'Ancien culte mahorie,' which he had assembled partly from Moerenhout's text and partly from conversations with Tahitians — a document that blurred scholarship and invention. The towering female nude with upraised face confronting a monstrous earth-face in the foliage creates an allegory of cosmic feminine power that was entirely without precedent in Western painting and deeply unsettling to Paris audiences accustomed to tame Salon exoticism.

Technical Analysis

The scale contrast between the large nude and the small, grotesque earth-spirit creates compositional tension in a narrow vertical format. Gauguin uses dense, resonant reds and deep forest greens, the figure's skin a luminous warm ochre rendered with relatively smooth impasto against the textured, scumbled foliage.

See It In Person

Museum of Modern Art

New York, United States

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Quick Facts

Medium
canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Mythology
Location
Museum of Modern Art, New York
View on museum website →

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In the Waves (Dans les Vagues) by Paul Gauguin

In the Waves (Dans les Vagues)

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The Offering by Paul Gauguin

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More from the Post-Impressionism Period

Rocks and Trees (Rochers et arbres) by Paul Cézanne

Rocks and Trees (Rochers et arbres)

Paul Cézanne·1904

Bathers (Baigneurs) by Paul Cézanne

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Paul Cézanne·1903

Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

Paul Cézanne·1891

Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

Paul Cézanne·1885