ArtvestigeArtvestige
PaintingsArtistsEras
Artvestige

Artvestige

The most comprehensive free reference for European painting. 40,000+ works across ten eras, every one with expert analysis.

Explore

PaintingsArtistsErasData Sources & CreditsContact

About

Artvestige is an independent reference and is not affiliated with any museum. All images courtesy of Wikimedia Commons.

© 2026 Artvestige. All painting images are public domain / open access.

Half-length Portrait of a Young Woman by Lucas Cranach the Elder

Half-length Portrait of a Young Woman

Lucas Cranach the Elder·1511

Historical Context

Half-Length Portrait of a Young Woman, painted in 1511, is a characteristic example of Cranach’s female portraiture from his early mature period. The half-length format, showing the sitter from the waist up against a plain background, was the standard German portrait convention that Cranach would employ throughout his career. The young woman’s fashionable dress and headdress indicate her social standing, while Cranach’s careful rendering of her individual features creates a convincing likeness. Female portraits from this period are relatively rare compared to male subjects, making this work valuable for understanding the visual presentation of women in early sixteenth-century Saxon society.

Technical Analysis

The panel shows the precise draftsmanship and rich color characteristic of German Renaissance painting, with the detailed rendering and clear compositional structure typical of the artist's workshop production.

Look Closer

  • ◆Notice the half-length format: cutting the figure at the waist was the standard format for female portraits of the period, focusing attention on face and costume.
  • ◆Look at how Cranach renders the young woman's features with his characteristic precision: the smooth skin, composed expression, and sharp definition of the face.
  • ◆Find the costume details — headdress, collar, jewelry — that would identify the sitter's social rank to contemporary viewers.
  • ◆Observe how this portrait's face type relates to Cranach's Madonna paintings: the same idealized female beauty applied to both sacred and secular subjects.

See It In Person

,

Visit museum website →

Quick Facts

Medium
Tempera on panel
Era
High Renaissance
Style
Northern Renaissance
Genre
Portrait
Location
,
View on museum website →

More by Lucas Cranach the Elder

Judith with the Head of Holofernes by Lucas Cranach the Elder

Judith with the Head of Holofernes

Lucas Cranach the Elder·ca. 1530

Eve by Lucas Cranach the Elder

Eve

Lucas Cranach the Elder·1533–37

The Crucifixion by Lucas Cranach the Elder

The Crucifixion

Lucas Cranach the Elder·1538

Adam by Lucas Cranach the Elder

Adam

Lucas Cranach the Elder·1533–37

More from the High Renaissance Period

Head of Saint John the Baptist on a Charger by Aelbert Bouts

Head of Saint John the Baptist on a Charger

Aelbert Bouts·ca. 1500

Lucrezia di Lippo di Iacopo Guidi by Andrea del Sarto

Lucrezia di Lippo di Iacopo Guidi

Andrea del Sarto·1525–28

Domenico da Gambassi by Andrea del Sarto

Domenico da Gambassi

Andrea del Sarto·1525–28

Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

Antonio da Correggio·c. 1515