![Altarpiece of the Virgin [central panel]: Virgin and Child by Lucas Cranach the Elder](https://commons.wikimedia.org/w/index.php?title=Special:Redirect/file/Lucas_Cranach_d.%C3%84._-_Madonna_mit_Kind_(University_of_Arizona_Museum_of_Art).jpg&width=1200)
Altarpiece of the Virgin [central panel]: Virgin and Child
Historical Context
Altarpiece of the Virgin, central panel showing the Virgin and Child, painted in 1513 and held at the University of Arizona Museum of Art, demonstrates the remarkable geographic dispersal of Cranach’s altarpiece panels. Originally part of a multi-panel work for a German church, this central devotional image shows the Madonna and Child in the refined style of Cranach’s mature early period. The panel’s journey from a sixteenth-century German church to the American Southwest illustrates the global art market that redistributed European religious art following the secularization of churches, the disruptions of world wars, and the growth of American university museum collections during the twentieth century.
Technical Analysis
The altarpiece panel demonstrates Cranach's refined devotional style with elegant figure proportions, warm palette, and the careful balancing of intimacy and grandeur appropriate to its altar setting.
Look Closer
- ◆Notice that this altarpiece panel traveled to the University of Arizona Museum of Art — its American setting reflects the extraordinary dispersal of Cranach's work from its original Saxon locations.
- ◆Look at how the Virgin and Child are rendered in Cranach's refined devotional style: the elegant figure types, warm palette, and intimate scale appropriate for private devotion.
- ◆Find the altarpiece panel format: Cranach designed this central panel to be read within a larger winged program, its scale and imagery calibrated for that context.
- ◆Observe the dating to 1513, when Cranach's Wittenberg workshop was at full maturity and producing ambitious altarpiece programs.







