![Altarpiece of St Catherine's Church, Zwickau [right fixed wing] by Lucas Cranach the Elder](https://commons.wikimedia.org/w/index.php?title=Special:Redirect/file/Workshop_Lucas_Cranach_the_Elder_-_Altarpiece_of_St_Catherine's_Church%2C_Zwickau_(right_fixed_wing)%2C_DE_KAZW_NONE-KAZW001E.jpg&width=1200)
Altarpiece of St Catherine's Church, Zwickau [right fixed wing]
Historical Context
The right fixed wing of the Zwickau altarpiece was one of the stationary outer panels — visible when the altarpiece was closed — that in many altarpiece programmes showed grisaille imitations of sculpture or the saints most closely associated with the commissioning church. Fixed wings contrasted with the inner movable wings to create a difference between the everyday view of a closed altarpiece and the festival view of the open one. Cranach's 1518 Zwickau altarpiece was a complex multi-component work, and the right fixed wing played an important structural and iconographic role in the ensemble as a whole.
Technical Analysis
Fixed outer wings often employed a more austere visual register than the inner painted wings, sometimes rendered in grisaille to simulate stone or metal sculpture. The painting strategy for the Zwickau fixed wings — whether grisaille or full colour — is determined by the surviving physical evidence at the Katharinenkirche.
Look Closer
- ◆Notice the right fixed wing's permanent visibility: this panel was always visible regardless of the altarpiece's open or closed state.
- ◆Look at how the fixed wing anchors the moveable wing on the altarpiece's right side, creating the structural frame for the whole program.
- ◆Find the Zwickau Saint Catherine's Church context: the multiple surviving Zwickau altarpiece panels together document Cranach's most complete surviving multi-panel commission.
- ◆Observe the workshop quality maintained across all elements of this major ecclesiastical commission.







