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Feast of the Rosary
Albrecht Dürer·1506
Historical Context
Dürer's Feast of the Rosary, painted in 1506 during his second Italian visit in Venice, was commissioned by the German merchant community of the Fondaco dei Tedeschi — German traders who needed an altarpiece for their chapel. The subject celebrates the rosary confraternity, showing the Virgin crowning both the Emperor Maximilian and Pope Julius II, with saints, angels, and the Venetian community gathered in a festival of heavenly patronage. Dürer famously reported that Italian painters told him he would be forgotten in Germany but was highly praised in Venice, demonstrating the Italian recognition his work commanded. The painting was later acquired by Emperor Rudolf II, who had it transported to Prague carefully to prevent damage.
Technical Analysis
The rich, saturated palette demonstrates Dürer's absorption of Venetian colorism, with the warm reds and blues achieving a chromatic richness unprecedented in his earlier, more linearly oriented work.


![Madonna and Child [obverse] by Albrecht Dürer](https://commons.wikimedia.org/w/index.php?title=Special:Redirect/file/Durer%2C_vergine_della_pera.jpg&width=600)
![Lot and His Daughters [reverse] by Albrecht Dürer](https://commons.wikimedia.org/w/index.php?title=Special:Redirect/file/Albrecht_D%C3%BCrer_-_Lot_und_seine_T%C3%B6chter_(NGA).jpg&width=600)



