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The Annunciation by Konrad Witz

The Annunciation

Konrad Witz·1442

Historical Context

Konrad Witz created this work around 1442, now in Nuremberg's Germanisches Nationalmuseum. The Annunciation was one of the most frequently depicted scenes in Renaissance art, symbolizing the moment of the Incarnation and the beginning of human salvation. The Early Renaissance period saw significant artistic innovation across Europe, with painters developing new techniques for representing the visible world with unprecedented naturalism and spatial coherence.

Technical Analysis

The Annunciation composition typically divides the picture space between Gabriel and the Virgin, with architectural elements creating a measured spatial interval that conveys the sacred character of the encounter.

See It In Person

Germanisches Nationalmuseum

Nuremberg, Germany

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
156.5 × 120.1 cm
Era
Early Renaissance
Style
Northern Renaissance
Genre
Religious
Location
Germanisches Nationalmuseum, Nuremberg
View on museum website →

More by Konrad Witz

Abisai before David by Konrad Witz

Abisai before David

Konrad Witz·1435

The Miraculous Draft of Fishes by Konrad Witz

The Miraculous Draft of Fishes

Konrad Witz·1444

Saints Catherine and Mary Magdalene by Konrad Witz

Saints Catherine and Mary Magdalene

Konrad Witz·1440

The Queen of Sheba in front of King Solomon by Konrad Witz

The Queen of Sheba in front of King Solomon

Konrad Witz·1435

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Giovanni Bellini·16th century or later

Christ Crowned with Thorns by Antonello da Messina (Antonello di Giovanni d'Antonio)

Christ Crowned with Thorns

Antonello da Messina (Antonello di Giovanni d'Antonio)·1450

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil by Antonio Vivarini

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil

Antonio Vivarini·c. 1450