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Bildnis Louis S. Günzburger by Ferdinand Hodler

Bildnis Louis S. Günzburger

Ferdinand Hodler·1904

Historical Context

Bildnis Louis S. Günzburger by Ferdinand Hodler from 1904 is a commissioned portrait of a Swiss private individual — a bourgeois sitter whose social world Hodler navigated alongside his public symbolic and landscape paintings. Hodler painted relatively few pure portraits compared with his allegorical and landscape work, and those he did produce often brought a directness and psychological weight that made them standout works in his output. The name suggests a Swiss-German Jewish family of some standing — Günzburger was a common name in German-Jewish communities — situating this portrait within the prosperous professional or commercial circles of early twentieth-century Switzerland.

Technical Analysis

Hodler typically approaches portraiture with the same formal clarity he brought to his landscape and allegorical work — precise contours, strong three-dimensional modeling, and a psychological directness that refuses the softening conventions of society portraiture. The sitter's expression and posture are rendered with characteristic candor.

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Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Portrait
Location
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More by Ferdinand Hodler

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The Miller, his Son and the Donkey by Ferdinand Hodler

The Miller, his Son and the Donkey

Ferdinand Hodler·1888

Les Buveurs by Ferdinand Hodler

Les Buveurs

Ferdinand Hodler·1886

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