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Leda and the Swan by Jacopo Tintoretto

Leda and the Swan

Jacopo Tintoretto·1550

Historical Context

Tintoretto's Leda and the Swan from around 1550-1560 treats the mythological subject of Zeus's seduction of the Spartan queen. The sensuous subject was popular among Venetian collectors, and Tintoretto brings his characteristic dramatic energy to the erotic encounter. Tintoretto's erotic mythology for private collectors shows a playful, intimate side of his production that contrasts with the monumental public commissions that define his reputation.

Technical Analysis

The dynamic diagonal composition and the luminous rendering of Leda's flesh demonstrate Tintoretto's fusion of Venetian colorism with dramatic spatial movement, the warm tones creating an atmosphere of intimate sensuality.

Look Closer

  • ◆Notice the dynamic diagonal composition created by Leda's reclining figure and the swan's approach.
  • ◆Look at the warm flesh tones of Leda rendered with the luminous Venetian palette — sensuous but not lascivious.
  • ◆Observe the intimate domestic setting of the bedchamber that Tintoretto uses for this mythological erotic scene.
  • ◆The playful, intimate quality shows a different side of Tintoretto's art from the monumental narrative paintings.
  • ◆Find the swan's feathers rendered with Tintoretto's characteristic loose brushwork against the warmer tones of flesh and drapery.

See It In Person

Uffizi Gallery

Florence, Italy

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
167 × 221 cm
Era
Mannerism
Style
Mannerism
Genre
Mythology
Location
Uffizi Gallery, Florence
View on museum website →

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Tarquin and Lucretia by Jacopo Tintoretto

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Saint Helen Testing the True Cross by Jacopo Tintoretto

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Christ at the Sea of Galilee by Jacopo Tintoretto

Christ at the Sea of Galilee

Jacopo Tintoretto·c. 1570s

Ecce Homo by Jacopo Tintoretto

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