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Coronation of the Virgin by Guido of Siena

Coronation of the Virgin

Guido of Siena·1260

Historical Context

Guido da Siena's Coronation of the Virgin, dating to around 1260, is among the earliest Italian panel paintings to depict this subject that would become central to later Gothic and Renaissance art. Guido was a pioneering figure in the Sienese school, working in a period when Italian painters were beginning to move beyond strict Byzantine conventions toward greater expressiveness. Now in the Courtauld Gallery, this work reveals the transition from Romanesque hieratic formality to the more tender Marian devotion characteristic of Gothic Siena.

Technical Analysis

Executed in tempera and gold on panel, this painting retains the gold ground and frontal composition inherited from Byzantine prototypes. Guido introduces subtle modeling in the faces and a richer palette of reds and blues that anticipate the later Sienese school.

See It In Person

Courtauld Gallery

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
34.3 × 166.7 cm
Era
Gothic
Style
Italian Gothic
Genre
Religious
Location
Courtauld Gallery, London
View on museum website →

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The Presentation at the Temple by Guido of Siena

The Presentation at the Temple

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Dossale di Badia Ardenga by Guido of Siena

Dossale di Badia Ardenga

Guido of Siena·1280

Madonna and Child with four Saints by Guido of Siena

Madonna and Child with four Saints

Guido of Siena·1270

More from the Gothic Period

Crucifixion by Giotto

Crucifixion

Giotto·1330

Madonna with the Child by Giotto

Madonna with the Child

Giotto·1325

Death of the Virgin by Giotto

Death of the Virgin

Giotto·1310

Madonna and Child of San Giorgio alla Costa by Giotto

Madonna and Child of San Giorgio alla Costa

Giotto·1295