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Virgin and Child Enthroned with Four Saints by Master of the Dominican Effigies

Virgin and Child Enthroned with Four Saints

Master of the Dominican Effigies·1345

Historical Context

This Virgin and Child Enthroned with Four Saints by the Master of the Dominican Effigies, painted around 1345, follows the sacra conversazione format that was becoming increasingly popular in Italian Gothic altarpieces. The anonymous master, named for a series of portraits of Dominican friars, worked in Florence in the circle of Bernardo Daddi and the Giottesque tradition. The inclusion of Dominican saints in the composition confirms the panel's origin in a Dominican church or chapel.

Technical Analysis

Painted in egg tempera on gold-ground panel, the enthroned Virgin occupies the central axis with saints arranged symmetrically on either side in the traditional hierarchical format. The figures display the softened Giottesque modeling and gentle expressions typical of this master's work, with carefully tooled gold halos and decorative punchwork.

See It In Person

Courtauld Gallery

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
123 × 42.7 cm
Era
Gothic
Style
Italian Gothic
Genre
Religious
Location
Courtauld Gallery, London
View on museum website →

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The Crucifixion with a Pelican by Master of the Dominican Effigies

The Crucifixion with a Pelican

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Saint Peter (polyptych, panel 2 of 5) by Master of the Dominican Effigies

Saint Peter (polyptych, panel 2 of 5)

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Virgin and Child (polyptych, panel 3 of 5) by Master of the Dominican Effigies

Virgin and Child (polyptych, panel 3 of 5)

Master of the Dominican Effigies·1345

Saint Paul (polyptych, panel 4 of 5) by Master of the Dominican Effigies

Saint Paul (polyptych, panel 4 of 5)

Master of the Dominican Effigies·1345

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