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The Miracle of the Gallows by Dieric Bouts

The Miracle of the Gallows

Dieric Bouts·1447

Historical Context

The Miracle of the Gallows attributed to Dieric Bouts depicts a scene from the Legend of the Holy Sacrament—specifically a miracle narrative in which a man wrongly executed for theft is discovered alive on the gallows through divine intervention. Such miracle stories formed the documentary basis of eucharistic devotion in the late medieval Low Countries, and Bouts's Altarpiece of the Holy Sacrament in Leuven's Sint-Pieterskerk was the most important commission connecting painted narrative to eucharistic theology. This attributed work participates in the same devotional and institutional context, using careful Flemish naturalism to render miraculous intervention credible and moving for believers.

Technical Analysis

The narrative scene is rendered with Bouts's characteristic clarity of drawing and spatial organization, the figures placed within a landscape setting that demonstrates his developing command of atmospheric perspective.

See It In Person

Laing Art Gallery

Newcastle, United Kingdom

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Quick Facts

Medium
Tempera
Dimensions
89.2 × 54.8 cm
Era
Early Renaissance
Style
Early Netherlandish
Genre
Religious
Location
Laing Art Gallery, Newcastle
View on museum website →

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Virgin and Child by Dieric Bouts

Virgin and Child

Dieric Bouts·ca. 1455–60

Mater Dolorosa (Sorrowing Virgin) by Dieric Bouts

Mater Dolorosa (Sorrowing Virgin)

Dieric Bouts·c. 1490

Portrait of a Man by Dieric Bouts

Portrait of a Man

Dieric Bouts·ca. 1470

The Mourning Virgin; Christ Crowned with Thorns by Dieric Bouts

The Mourning Virgin; Christ Crowned with Thorns

Dieric Bouts·1520

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Saint Peter Martyr Exorcizing a Woman Possessed by a Devil by Antonio Vivarini

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil

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