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The Adoration of the Magi by Perugino

The Adoration of the Magi

Perugino·1510

Historical Context

Perugino painted this Adoration of the Magi around 1475–1476 as one of his early masterworks, demonstrating the gifts that would bring him to Rome and make him the most sought-after painter in Italy. The three kings with their retinues had been a major subject of Florentine painting since the Medici-sponsored pageant of the Three Kings, and Perugino's version benefits from his study of Florentine figure types while introducing the Umbrian landscape and spatial clarity that were becoming his distinctive contribution. The procession of exotic figures—kings, courtiers, horses, and camels—approaching the humble stable allowed Perugino to contrast worldly magnificence with divine simplicity, a devotional contrast with immediate visual and spiritual appeal.

Technical Analysis

The panel demonstrates Perugino's characteristic spatial clarity with balanced figure arrangement and soft atmospheric depth, maintaining the compositional elegance of his established style.

See It In Person

Manchester Art Gallery

Manchester, United Kingdom

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
22.5 × 59.3 cm
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
Manchester Art Gallery, Manchester
View on museum website →

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The Baptism of Christ by Perugino

The Baptism of Christ

Perugino·1500–05

Christ and the Woman of Samaria by Perugino

Christ and the Woman of Samaria

Perugino·1506

The Nativity by Perugino

The Nativity

Perugino·1500–05

Noli Me Tangere by Perugino

Noli Me Tangere

Perugino·1506

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Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

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