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The Last Supper by Andrea del Sarto

The Last Supper

Andrea del Sarto·1526

Historical Context

This 1526 Last Supper is a major religious composition from Andrea del Sarto's mature period. Andrea had painted an earlier Last Supper fresco at the Convent of San Salvi in Florence (1511-1527), which Vasari praised as one of the most beautiful paintings in Florence and which even the soldiers of Charles V spared during the 1530 siege. Andrea del Sarto, active in Florence from around 1506 until his death in 1530, was among the most accomplished painters of the Italian High Renaissance. His synthesis of the dominant Florentine tradition — Leonardo's atmospheric modeling, Raphael's compositional grace, Michelangelo's figure authority — achieved a quality of technical perfection that earned him Vasari's famous epithet "the faultless painter." Working primarily in Florence, he produced altarpieces, frescoes, and devotional panels for the city's churches, religious confraternities, and private patrons, training in his workshop the painters who would become the founders of Florentine Mannerism.

Technical Analysis

The multi-figure composition demonstrates Andrea's ability to orchestrate complex narrative scenes with naturalistic characterization and spatial clarity, using his warm palette to unify the dramatic ensemble.

See It In Person

Ashmolean Museum

Oxford, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
74 × 179 cm
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
Ashmolean Museum, Oxford
View on museum website →

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Andrea del Sarto·1525–28

Portrait of a Man by Andrea del Sarto (Andrea d'Agnolo)

Portrait of a Man

Andrea del Sarto (Andrea d'Agnolo)·1528–29

The Sacrifice of Isaac by Andrea del Sarto

The Sacrifice of Isaac

Andrea del Sarto·c. 1527

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The Holy Family with Four Saints and a Female Donor by Antonio Rimpatta

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