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The Head of Christ Crowned with Thorns
Albrecht Dürer·1587
Historical Context
Head of Christ Crowned with Thorns, painted around the late 1490s as a devotional study, belongs to Dürer's engagement with the subject of Christ's suffering as the central image of Christian devotion. The crown of thorns as the most intimate and personal emblem of the Passion — placed on Christ's own head by those who mocked him — allowed Dürer to combine his close observation of the human face with the theological meaning that transformed physical suffering into redemptive sacrifice. The intensity of these Christ heads — their combination of physical suffering and spiritual composure — was the foundation for his later definitive treatment of the subject in the great prints and paintings of his mature period.
Technical Analysis
The painting follows Dürer's compositional model but shows the hand of a later copyist in the somewhat less refined handling of the flesh tones and drapery compared to Dürer's originals.


![Madonna and Child [obverse] by Albrecht Dürer](https://commons.wikimedia.org/w/index.php?title=Special:Redirect/file/Durer%2C_vergine_della_pera.jpg&width=600)
![Lot and His Daughters [reverse] by Albrecht Dürer](https://commons.wikimedia.org/w/index.php?title=Special:Redirect/file/Albrecht_D%C3%BCrer_-_Lot_und_seine_T%C3%B6chter_(NGA).jpg&width=600)



