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Madonna and Child and donator / Crucifixion by Niccolò di Pietro

Madonna and Child and donator / Crucifixion

Niccolò di Pietro·1398

Historical Context

This double-sided devotional panel by Niccolò di Pietro, a Venetian painter active in the late fourteenth century, combines a Madonna and Child with donor on one face and a Crucifixion on the reverse. Dated around 1398 and now in the Pushkin Museum in Moscow, the work reflects the portable devotional objects popular among wealthy Venetian merchants and patricians. Niccolò di Pietro was a key figure in the transition of Venetian painting toward the International Gothic style.

Technical Analysis

Tempera and gold on panel. Niccolò's refined technique shows Venetian sensitivity to color and surface, with delicate gilding and the emerging influence of International Gothic elegance in the flowing drapery and courtly grace of the figures.

See It In Person

Pushkin Museum of Fine Arts

Moscow, Russia

Visit museum website →

Quick Facts

Medium
Tempera on panel
Era
Gothic
Style
Italian Gothic
Genre
Religious
Location
Pushkin Museum of Fine Arts, Moscow
View on museum website →

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Saint Ursula and Her Maidens

Niccolò di Pietro·ca. 1410

Polyptych of Saint Augustin of Pesaro by Niccolò di Pietro

Polyptych of Saint Augustin of Pesaro

Niccolò di Pietro·1414

Saint Augustine and Alypius Receiving Ponticianus by Niccolò di Pietro

Saint Augustine and Alypius Receiving Ponticianus

Niccolò di Pietro·1414

Virgin and Child Enthroned with Eight Angels by Niccolò di Pietro

Virgin and Child Enthroned with Eight Angels

Niccolò di Pietro·1410

More from the Gothic Period

Crucifixion by Giotto

Crucifixion

Giotto·1330

Madonna with the Child by Giotto

Madonna with the Child

Giotto·1325

Death of the Virgin by Giotto

Death of the Virgin

Giotto·1310

Madonna and Child of San Giorgio alla Costa by Giotto

Madonna and Child of San Giorgio alla Costa

Giotto·1295