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Lambe Barry (1704–1768) by Thomas Gainsborough

Lambe Barry (1704–1768)

Thomas Gainsborough·1759

Historical Context

Gainsborough's Lambe Barry of around 1759 depicts a Suffolk gentleman with the direct observation of his mature portrait style, creating a figure of modest dignity appropriate to the county society that sustained his professional foundation. Barry's portrait belongs to the group of Suffolk and early Bath commissions that document his transition from regional to national prominence, and the work demonstrates the consistent quality he maintained throughout the social range of his clientele.

Technical Analysis

The portrait is painted with the honest directness that characterizes Gainsborough's best Suffolk work, the face rendered with warm observation and the dark coat handled with efficient economy. The transitional date means the handling already hints at the freer manner to come.

Look Closer

  • ◆Notice the honest directness that characterizes Gainsborough's best Suffolk work: the face rendered with warm observation and the dark coat with efficient economy.
  • ◆Look at the transitional hint: the handling already hints at the freer manner of Bath, even while maintaining the solid craftsmanship of his Suffolk period.
  • ◆Observe the consistent quality across social levels: Lambe Barry receives the same careful individual observation Gainsborough brought to more prestigious commissions.
  • ◆Find the local rootedness: this portrait documents the Suffolk professional world that provided Gainsborough's commercial foundation before Bath elevated his career.

See It In Person

Gainsborough's House

Sudbury, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
75.5 × 63 cm
Era
Rococo
Style
English Rococo
Genre
Portrait
Location
Gainsborough's House, Sudbury
View on museum website →

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