_-_Duchess_of_Montagu_(1711%E2%80%931775)_-_R.1953-98_-_Colchester_and_Ipswich_Museums_Service.jpg&width=1200)
Duchess of Montagu (1711–1775)
Thomas Gainsborough·c. 1758
Historical Context
Gainsborough's Duchess of Montagu of around 1758 depicts a member of the Montagu family — one of England's most distinguished aristocratic houses — in his early Bath manner, the portrait demonstrating his developing capacity for aristocratic female portraiture. The Duchess's rank required the formal grandeur of the full or three-quarter-length portrait, and Gainsborough's treatment creates the appropriate combination of aristocratic dignity with the natural freshness that distinguished his best female work from more labored competitors.
Technical Analysis
The handling shows Gainsborough rising to the occasion of a distinguished sitter, with more care and ambition in the treatment of the costume and pose than in his routine provincial commissions. The face is painted with warmth and delicacy, the ageing features treated with the tact that a duchess expected from her portraitist.
Look Closer
- ◆Notice Gainsborough rising to the occasion of a distinguished sitter: the Duchess of Montagu receives more care and ambition than his routine provincial commissions.
- ◆Look at the face: painted with warmth and delicacy, the ageing features treated with the tact that a duchess expected from her portraitist.
- ◆Observe the handling of the costume: more ambitious than in simpler commissions, reflecting the formal requirements of aristocratic portraiture.
- ◆Find the balance of aristocratic dignity and natural freshness: Gainsborough's early Bath female portraits achieve this combination even in relatively formal contexts.

_MET_DP162180.jpg&width=600)





