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Billingsgate and the Monument by Samuel Scott

Billingsgate and the Monument

Samuel Scott·c. 1720

Historical Context

Billingsgate and the Monument depicts two of the most prominent landmarks in the eastern City: the ancient fish market that had operated on the Thames since at least the tenth century, and Christopher Wren's 202-foot column commemorating the Great Fire of 1666. Together they represent the commercial and historical character of the City that Scott documented throughout his career. Scott's Thames views constitute the most comprehensive pictorial survey of London's riverside ever undertaken by a single artist.

Technical Analysis

The vertical thrust of the Monument contrasts with the low riverside buildings of Billingsgate, creating a compositional dynamic that Scott exploits to organize his detailed rendering of the busy waterfront.

See It In Person

Walker Art Gallery

Liverpool, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
71.5 × 106.5 cm
Era
Rococo
Style
English Rococo
Genre
Architectural
Location
Walker Art Gallery, Liverpool
View on museum website →

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The Building of Westminster Bridge by Samuel Scott

The Building of Westminster Bridge

Samuel Scott·1722

A Thames Wharf by Samuel Scott

A Thames Wharf

Samuel Scott·ca. 1757

An Arch of Westminster Bridge by Samuel Scott

An Arch of Westminster Bridge

Samuel Scott·1750

Wager's Action off Cartagena, 28 May 1708 by Samuel Scott

Wager's Action off Cartagena, 28 May 1708

Samuel Scott·1772

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Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

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Arcadian Landscape with Figures by Alessandro Magnasco

Arcadian Landscape with Figures

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