_(style_of)_-_Portrait_of_a_Young_Lady_(formerly_called_'Mrs_Gainsborough')_-_526-1870_-_Victoria_and_Albert_Museum.jpg&width=1200)
Portrait of a Young Lady (formerly called 'Mrs Gainsborough')
Thomas Gainsborough·c. 1758
Historical Context
Gainsborough's Portrait of a Young Lady of around 1758 depicts an unidentified young woman with the luminous freshness that characterized his Bath period female portraiture, the pale complexion and graceful bearing creating the characteristic Gainsborough feminine ideal. The 'formerly called Mrs Gainsborough' misidentification in some records reflects the common tendency to project the painter's family into unidentified works, but the portrait is more significant as a document of his developing female portrait style during his Bath establishment.
Technical Analysis
The portrait exemplifies Gainsborough's gift for painting young women with natural, unforced beauty. The luminous skin tones and softly rendered hair create an impression of freshness and vitality, while the relaxed pose suggests genuine ease between painter and sitter.
Look Closer
- ◆Notice the luminous skin tones and softly rendered hair creating an impression of freshness and vitality: the 'formerly called Mrs Gainsborough' misidentification reflects how characteristic this female type was for him.
- ◆Look at the relaxed pose suggesting genuine ease between painter and sitter: Gainsborough's female portraits have a naturalness that comes partly from his warmth with women as subjects.
- ◆Observe the developing Bath period female style: the emerging elegance and lightness of touch that would define his mature manner.
- ◆Find the individual character beneath the flattering convention: despite the formula, a specific young woman's presence is preserved.

_MET_DP162180.jpg&width=600)





