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John Forster (1812–1876) by Daniel Maclise

John Forster (1812–1876)

Daniel Maclise·1830

Historical Context

This 1830 portrait of John Forster captures the young journalist and literary critic who would become one of Victorian England's most influential cultural intermediaries — Charles Dickens's closest friend, Bulwer-Lytton's biographer, and a central figure in the London literary world for five decades. Maclise moved within the same metropolitan intellectual and artistic circles as Forster, and their friendship was one of the formative social connections of his London career. The portrait is from early in Maclise's own career, when he was establishing himself in the competitive portrait market while simultaneously pursuing the historical and literary subjects that would define his reputation. The early Victorian date captures Forster before his fame was fully established.

Technical Analysis

The portrait demonstrates Maclise's strong draftsmanship and his ability to capture psychological presence, rendering the young Forster with a directness that suggests close personal acquaintance between artist and sitter.

See It In Person

Victoria and Albert Museum

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
76.2 × 63.5 cm
Era
Romanticism
Style
Romanticism
Genre
Portrait
Location
Victoria and Albert Museum, London
View on museum website →

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Scene from Ben Jonson's <font -i>Every Man in His Humour</font -i> (Act II, Scene I) by Daniel Maclise

Scene from Ben Jonson's <font -i>Every Man in His Humour</font -i> (Act II, Scene I)

Daniel Maclise·1847-1848

John Forster by Daniel Maclise

John Forster

Daniel Maclise·1830

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