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The Temple of Aesculapius by Augustus Wall Callcott

The Temple of Aesculapius

Augustus Wall Callcott·1837

Historical Context

The Temple of Aesculapius from 1837 by Augustus Wall Callcott is a classical landscape depicting the ancient temple of the god of healing. The subject connects to the tradition of ideal landscape painting derived from Claude Lorrain, which remained influential throughout the Romantic period. As one of the most respected landscape painters in early Victorian England, Callcott brought careful technique and a pleasing balance of observation and idealization to his subjects, drawing on both the Dutc

Technical Analysis

The temple provides a classical focal point within the idealized landscape, rendered with Callcott's mature atmospheric technique and warm Italian-inspired light.

See It In Person

Towneley Hall Art Gallery And Museum

Burnley, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
114 × 77.5 cm
Era
Romanticism
Style
British Romanticism
Genre
Landscape
Location
Towneley Hall Art Gallery And Museum, Burnley
View on museum website →

More by Augustus Wall Callcott

Italian Landscape with Cows Watering by Augustus Wall Callcott

Italian Landscape with Cows Watering

Augustus Wall Callcott·1800-1844

A Sea port: gale rising by Augustus Wall Callcott

A Sea port: gale rising

Augustus Wall Callcott·ca. 1840

Landscape: A Wood and Cattle under a Stormy Sky by Augustus Wall Callcott

Landscape: A Wood and Cattle under a Stormy Sky

Augustus Wall Callcott·1820-1844

Coast Scene with Shrimper by Augustus Wall Callcott

Coast Scene with Shrimper

Augustus Wall Callcott·1820-1844

More from the Romanticism Period

The Fountain at Grottaferrata by Adrian Ludwig (Ludwig) Richter

The Fountain at Grottaferrata

Adrian Ludwig (Ludwig) Richter·1832

Dante's Bark by Eugène Delacroix

Dante's Bark

Eugène Delacroix·c. 1840–60

Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836