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The Woodranger by Daniel Maclise

The Woodranger

Daniel Maclise·1838

Historical Context

This 1838 Woodranger at the Royal Academy of Arts depicts a rural figure type — a forest worker or game-keeper — that interested Maclise alongside his better-known literary and historical subjects. The Victorian fascination with rural occupational types reflected the social transformations of industrialization, which gave images of pre-industrial rural work a nostalgic appeal for urban audiences increasingly distant from agricultural life. Maclise's technical mastery of figure and costume brought the same precision to this rural type that he gave to historical and theatrical subjects. The Royal Academy's holding of this work places it in the institutional context of Victorian annual exhibition culture.

Technical Analysis

The figure is rendered with Maclise's strong sense of physical presence and characterful detail, the woodranger's tools and weathered appearance painted with precise observational accuracy.

See It In Person

Royal Academy of Arts

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
214.2 × 91.4 cm
Era
Romanticism
Style
Romanticism
Genre
Genre
Location
Royal Academy of Arts, London
View on museum website →

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Scene from Ben Jonson's <font -i>Every Man in His Humour</font -i> (Act II, Scene I) by Daniel Maclise

Scene from Ben Jonson's <font -i>Every Man in His Humour</font -i> (Act II, Scene I)

Daniel Maclise·1847-1848

John Forster by Daniel Maclise

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