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Robin Hood and His Merry Men Entertaining Richard the Lionheart in Sherwood Forest by Daniel Maclise

Robin Hood and His Merry Men Entertaining Richard the Lionheart in Sherwood Forest

Daniel Maclise·1839

Historical Context

Daniel Maclise painted Robin Hood and His Merry Men Entertaining Richard the Lionheart around 1839, a large-scale historical fantasy painting depicting the legendary outlaw's feast in Sherwood Forest. The subject combined multiple strands of Victorian cultural enthusiasm: the Robin Hood legend as a vehicle for medieval nostalgia, the celebration of English popular liberty against royal and aristocratic tyranny, and Richard I's romantic aura as crusader-king. Maclise's elaborately detailed historical fantasy, with its forest setting, its colorful assembly of outlaws and the disguised king, and its atmosphere of authentic medieval life, was exactly the kind of crowd-pleasing narrative subject painting that the Victorian exhibition public most appreciated.

Technical Analysis

Maclise fills the forest setting with dozens of animated figures, each rendered with individual characterization and precise medieval costume detail. The warm lighting of the forest banquet and the elaborate composition demonstrate his extraordinary skill in multi-figure narrative painting.

See It In Person

Nottingham Museums

Nottingham, United Kingdom

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Quick Facts

Medium
Oil paint
Dimensions
111 × 155 cm
Era
Romanticism
Style
Romanticism
Genre
Genre
Location
Nottingham Museums, Nottingham
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Scene from Ben Jonson's <font -i>Every Man in His Humour</font -i> (Act II, Scene I) by Daniel Maclise

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